STORIA DI UN NO

• Administration as well as general and full exploitation of local repertoires either wholly-owned and/or belonging to third parties.
• Actively promoting and/or working on international music catalogues/works pertaining to independent organizations, which to our knowledge have been so far lacking that particular attention they strongly deserve.
• That calls for massive cross-promotion of the original products, as well as other valuable means such as sync-fee in general, various performances and so forth.
• To monitor and anticipate the new tendency of music fruition...

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